Italian Early Renaissance Painter, active 1475-1511 Bartolomeo di Giovanni, also known as Bartolommeo di Giovanni and as Alunno di Domenico, was an early renaissance Italian painter of the Florentine School who was active from about 1480 until his death in 1501. He studied with and assisted Domenico Ghirlandaio, painting the predella of Ghirlandaio's Adoration of the Magi in the Ospedale degli Innocenti (Foundling Hospital) in Florence, in 1488. Bartolomeo di Giovanni also worked under the guidance of Sandro Botticelli.  Related Paintings of BARTOLOMEO DI GIOVANNI :. | Predella: Consecration of the Church of the Innocents | 'Saint John the Baptist | Predella: Deposition wrf | St.Placid's Rescue | Madonna and Child En-throned with Two Angles,SS.Dionysius the Aereopagite and Dominic,Pope Clement,and St.Thomas Aquinas |
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Juan Bautista Martinez del Mazo
1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.